About Bob marley no woman no cry 1979: Alto tema!!!
Matt Bianco in Internet
With Mark Fisher replacing White and Trzetrzelewska, the sound changed considerably. Fisher, a keyboardist, composer and studio wizard, contributed a more contemporary sound, compared to that of the early Matt Bianco. The use of synthesizers increased notably: Yamaha's DX-7 can be heard providing the slap bass in most songs, but the choice of noted studio musicians remained consistent with Ronnie Ross being the most prominent example. After the first album with the new line-up, they took a 13-piece band on to a European tour, that saw them perform in front of an audience of more than 250,000 attendees in total. As Matt Bianco was a household name in Europe, Warner Brothers thought it was time to market them in the U.S.. They hired Gloria Estefan's husband and producer Emilio Estefan to produce a few songs, and recorded their third album, Indigo, with the Estefan productions being chosen as singles. 1988's Don't Blame it on That Girl and Good Times only made a moderate impact, apart from Wap-Bam-Boogie, an album track originally on the B-side of the first single too, which did well on the dance charts, and pushed the joint single release up to Number 11 on the UK Singles Chart, making it their best achievement ever in the whole history of Matt Bianco, either as a trio or as a duo. After a first Greatest Hits album, entitled The Best of Matt Bianco, collecting their greatest hits from 1983 to 1990, actually out in 1990, and another studio album with Warner Brothers - the fractured Samba in Your Casa, the fourth long-playing by the group, released in 1991 - Reilly and Fisher split from their record company, and went freelance. From then on, they would record their albums in their own studios, and then offer them to independent distributors worldwide. (*)
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